About Chora and cats

by Lydia Beaumont-Cankaya
nine-year-old explorer

Lydia at Chora
Here I am sitting next to the sea at Chora. The weather was pretty bad but we still walked around and discovered things © and photo by Archondia Thanos
Hi everyone, my name is Lydia, I am nine years old, and I am going to be part of an archaeological excavation. The excavation is taking place on the island of Andros which is in Greece.

To get to Andros from Australia, you will have to set aside a couple of days because you have to catch the plane, a boat and drive to your destination.

The reason why I am here is because my mum* is an archaeologist and I am going to be one of the helpers. There are many archaeologists here (about 25 of them).

They have to work very hard and visit different types of sites. They don’t always dig; they also put pieces of pottery and sculpture together and sometimes they do a lot of research in one place.

They also work in museums and some of them teach the subject of Archaeology. My mum came to my school once and taught us about the ancient Olympics.

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Ochi (or No) Day Parade

By Irma Havlicek
Powerhouse Museum Online Producer

Yesterday morning (Sunday 28 October 2012) I was sitting with some of my colleagues in a cafe having breakfast when, around 9am, Steve Vassilakis said to me, “Oh look, the people are lining up for the Ochi Parade”.

I explained that I didn’t know what the Ochi Parade was, so Steve explained that it commemorates the Greeks saying ‘Ochi’ or ‘No’ to the Nazis and Fascists who wanted to occupy Greece in World War II. The Nazis and Fascists occupied anyway – but this parade celebrates the Greek stance of independence and courage.

With my trusty camera in hand, I dashed out onto the street in front of the cafe, and within a couple of minutes, the parade of mostly drummer boys and young marching girls was passing by. I found the parade surprisingly moving – seeing the innocents marching up the street, commemorating the courage of Greeks standing up to tyrants.

Traditional schist field walls of Andros

by Paul Donnelly
Powerhouse Museum Curator, Design and Society
and Archaeologist

Path to Zagora (seen in the distance)
Path to Zagora (seen in the distance) © PHM; photo by Paul Donnelly
If there is a way to do something more quickly and efficiently then usually human ingenuity comes up with the answer! Andros is criss-crossed with hundreds of kilometres of dry-stone (without binding material) field walls snaking their way up and down the, often very steep, landscape. The walling separates land between different owners and defines walking tracks between fields – the 50 minute walk to the Zagora site is one such access track.

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Tsipouro Feast

by Irma Havlicek
Powerhouse Museum Online Producer

Our host at the Kantouni Pensione and Cafe, Giorgos Moustakas, invited us all to the Tsipouro Feast, which takes place on the last weekend of October, and marks the start of the annual tsipouro (spirit) production. More information about the festival follows – but for an introduction to the joy of the event, nothing can express it more eloquently than the following video (1 min 38 secs) of the most marvellous music and the enthusiastic cameraderie of the dancing which we all enjoyed – having been generously and warmly welcomed into the event as though we were family.

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Let’s get geophysical

by Irma Havlicek
Powerhouse Museum Online Producer

The geophysical work that will underpin the excavation work at Zagora

The geophysical team
The geophysical team preparing to leave the site; from left, Sylviane, Gianluca, Apostolos (the head of the team) and Nikos; more about the team, below © PHM; photo by Irma Havlicek

Now to the geophysical work which is the reason for the hard yakka (for those outside of Australia, ‘hard yakka’ means ‘hard work’) of site clearing I wrote about in an earlier post.

The main aims of this first phase of the Zagora Archaeological Project are to use the best technology available now, firstly, to try to give us a general overview of the layout of the whole site before we start excavating. And, secondly, also to determine where archaeological excavation is most likely to produce the best evidence about life in Zagora during the time of the settlement – from about 900 – 700 BCE.

The best techniques now available are those of archaeological surface survey (more about that later) and of geophysics – the study of the physics of the Earth. Over 3000 years, earth, stones and plants have covered the remains of the Zagora settlement. So what we are seeking is below the surface of what is visible above ground.

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Sherd nerd

by Irma Havlicek
Powerhouse Museum Online Producer

Much of the work of archaeology is detective work – trying to figure out from fragments of information more about objects or the time and place in which they were used, and how they influenced life.

In the following short (50 seconds) video, Dr Paul Donnelly, Powerhouse Curator of Decorative Arts, and also an archaeologist, explains how if you find only a sherd (a small section) of the rim of a pottery object, you can still tell much about the size and shape of that object.

Visiting Chora

by Irma Havlicek
Powerhouse Museum Online Producer

Image of Chora
Image of Chora © PHM; photo by Irma Havlicek
Today, Tuesday 23 October, we went on an excursion – to Chora, Andros. Chora is the main village of Andros, and you can see the Venetian influence in the architecture. Our reason for going there was to visit the Andros Museum, which has a wonderful exhibition devoted to the finds on Zagora. Our visit will inform the work we do at Zagora.

We only had a little while to venture up the hill to the square where the museum is, and a small wander up the main street of shops there. However I snapped the following pics which appealed to me, so I thought I would share them with you. I hope I get back there to explore Chora further because I thought it was gorgeous…. What do you think?

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Site clearing

by Irma Havlicek
Powerhouse Museum Online Producer

Work days 2-10 – Wednesday 18 October to Friday 27 October 2012

Our main job over the next two weeks is to clear the site of the stones that stick up out of the earth and also the grasses and bushes (mostly full of thorns) which cover the site. This is so the geophysics experts can do their job (more about that in the next post).

A view of the grass still to be cut
A view of the grass still to be cut © PHM; photo by Irma Havlicek

The ground penetrating radar machine cannot be pushed easily over protruding rocks or tall grasses and bushes. This land clearing is a vast amount of work, and it is extremely time critical.

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Site familiarisation

by Irma Havlicek
Powerhouse Museum Online Producer

Work day 1 – Wednesday 18 October 2012

Meg Miller, Rudy Alagich and Kristin Mann at the temple site
(l-r) Meg Miller, Rudy Alagich and Kristin Mann at the temple site © PHM; photo by Irma Havlicek
We got down to the site and took our packs off, leaving them in the shade of the hut which had been built some 40 years ago by the previous team of archaeologists but had been unused since. This is where we would take our morning tea and lunch breaks each day, sitting on the ground.

The first thing we did was to walk around the site to familiarise ourselves with it. We looked closely at the site of the temple and also some of the nearby buildings. It was the custom at the time of the Zagora settlement for the altar to be outside the temple; however the situation at Zagora is extremely unusual because the altar is found inside the temple – we don’t know why.

During the first two weeks of this 2012 dig season the site is being surveyed and decisions made about which areas indicate they may be productive if excavated.

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Getting to Zagora for the first time

by Irma Havlicek
Powerhouse Museum Online Producer

Work day 1 – Wednesday 18 October 2012

Breakfast was served at 6am, as planned, on our first full day on Andros – Wednesday 18 October 2012. My room-mate (Kristen Mann – take a look at Kristen’s Q&A to find out more about her) and I agreed on the tactic of setting an alarm for 6.20am (for those extra minutes of precious sleep), and heading down with our gear, ready to get straight into the van. We packed the gear we’d need the night before, so we just had to grab it and go.

But the first day, things took a little longer than we expected as we weren’t yet in the groove of preparing ourselves for departure. We each have slightly different things we have to carry. We all have at least a pack, and we were each given a 2-litre plastic bottle of water to take with us. That seemed like a lot to me. We’d been told to bring our own water bottles, and I’d bought a 1-litre water bottle, thinking that would be enough. Little did I know then how hard we would work physically, and how we would each easily get through 2 litres of water – and more! Most of us carry extra clothes – long-sleeved shirt, wind/rainproof jacket, scarf, hat (with elastic strap so it doesn’t blow off in the legendary Zagora wind), goggles (against dust storms), tough work/gardening gloves. Some also carry our food and extra water.

The crew loading up for the walk down to Zagora
The crew loading up for the walk down to Zagora (from left, Hugh Thomas, Kristen Mann, you can just see the tip of Stavros Paspalas’ head, Rudy Alagich with white T-shirt, leaning into the van, Meg Miller, Ivana Vetta, Paul Donnelly (you can see more information about many of these people in the Archaeologists Q&A section of this website); © PHM; photo by Irma Havlicek

The team preparing for the first walk down to Zagora
The team preparing for the first walk down to Zagora; shears for clearing the land are safely in the bush. (Left to right: Meg Miller, Hugh Thomas, Rudy Alagich, Stavros Paspalas, Kristen Mann) © PHM; photo by Irma Havlicek

So, the first day, we departed at 7.25am – a bit later than our scheduled 7am departure.

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