Damien Stone – Zagora 2013 volunteer

Trowel tales and true – Damien Stone

by Damien Stone,
Archaeologist

Damien Stone at Zagora in 2013
Damien Stone at Zagora in 2013. Photo by Irma Havlicek; © PHM
Having finished my undergraduate degree in Archaeology earlier this year, I thought it was about time I went on my first excavation. With keenness I purchased my first trowel, affectionately naming it Enkidu (after the protagonist’s friend of the Gilgamesh Epic), and applied for the Zagora excavation.

Previous to this, being a volunteer with the conservation and collection management team at Sydney University’s Nicholson Museum, I have been blessed with the opportunity to have handled artefacts from various civilisations, though these have all long been removed from their original context.

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The “monopati” (path) to Zagora


Antonio Bianco
Antonio Bianco. Photo by Irma Havlicek; © PHM.

by Antonio Bianco*
Archaeologist

The Greek name “monopati” means pathway, and the Cycladic Islands are commonly characterised by their famous ones. Farmers and shepherds use these “monopati” to reach their fields on slopes. It is not rare to meet there a wise man on his donkey contemplating silently the changes of nature.

What I’m going to describe to you here is another story, which has for its main actors a different kind of observer: the archaeologists. 


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Fashions in the field, archaeology-style

by Irma Havlicek
Powerhouse Museum Web Producer

Beatrice McLoughlin
Beatrice McLoughlin would look as stylish at the Melbourne Cup Carnival as she does here at Zagora in the hat bought for her in Tinos by Andrew Wilson. Photo by Irma Havlicek; © PHM
As it’s the Melbourne Cup Carnival here in Australia, and so many people are obsessed with ‘fashions on the field’ – I thought I’d put up a post of our own ‘fashions in the field – archaeology-style’, from among the many photos I took during the season this year.

Following are photos featuring members of the 2013 Zagora Archaeological Project team wearing hats or scarves – valuable Sun and wind protection in the field. Most are published here for the first time but some have illustrated other posts on this blog.

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2013 Zagora excavation season comes to an end

by Irma Havlicek
Powerhouse Museum Web Producer

A great team effort and a perfect end to a perfect flightToday is the last day on site for the Zagora 2013 team. Yesterday and today were dedicated to backfilling the trenches to protect and conserve them, after excavations were completed on Thursday. People have pushed themselves to the limits of their endurance this week to get everything done carefully, properly and to the very best of their ability.

Frankly, I’ve never seen people work harder. Or care more about what they’re doing.

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A historian gets his knees dirty

by Dr Peter Londey

Classics and Ancient History, School of Cultural Inquiry

Australian National University


Peter Londey showing his trusty trowel
Peter Londey showing his trusty trowel. Photo by Irma Havlicek; © PHM
My friend and former colleague, Peter Stanley, wrote a whole book once about the importance for historians of actually getting out into the countryside and seeing the places they write about. I have just taken this one step further, by becoming intimately acquainted with what lies below the surface of one ancient Greek site: Zagora on Andros.

So there I was, genteel historian of ancient Greece (I am a lecturer at the Australian National University), kneeling among the rocks of Zagora, dust and dirt being blown over my face, in my eyes, in my hair, while I scratched the ground with my brand new Battiferro trowel, wondering why exactly I was there.

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Excavation area 5

by Irma Havlicek
Powerhouse Museum Website Producer

Dr Paul Donnelly, pictured here with Zagora behind
Paul Donnelly, trench supervisor of EA5, pictured here with Zagora behind. Photo by Irma Havlicek; © PHM

Excavation Area 5 (EA5) is at the extreme southern end of the Zagora site. The trench here is being supervised by my Powerhouse colleague, curator and archaeologist, Dr Paul Donnelly. This area, on the far side of the distant modern field wall that is seen as you walk down to the site (see photo, below), has never been excavated before. Because the Zagora Archaeological Project is trying to obtain an overall picture of the site, it is important to sample intensively all areas of the site, including this southern, relatively unknown area of the site.

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Zagora generating local and media interest

by Irma Havlicek
Powerhouse Museum Web Producer

Lesley Beaumont (third from left) pointing out features of the Zagora site.
Dr Lesley Beaumont (third from left) pointing out features of the Zagora site. Photo by Irma Havlicek; © PHM
Local interest in Zagora has been growing since our public meeting at Chora on Thursday 17 October. So much so, that on the last two Saturdays, local residents were invited on a guided tour of the site – led by two of the Zagora Archaeological Project directors, Professor Meg Miller and Dr Lesley Beaumont. A large number of people attended even though news of the tours had spread mostly by word-of-mouth.

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Excavation Area 4

by Irma Havlicek
Powerhouse Museum Website Producer

Kristen Mann
Kristen Mann, site supervisor of Excavation Area 4. © PHM; photo by Irma Havlicek

Excavation Area 4 (EA4) was one of two areas (the other being EA3) where test trenches were excavated last year. Kristen Mann was supervisor of the test trench here last year and continues to supervise it this year.

Kristen is doing PhD research into households, including the spatial patterning of behaviour – that is, how the layout of buildings, rooms, spaces in and between buildings, pathways, communal spaces, etc. influences people’s behaviour, and also about the choices people make to adapt their spaces to fit their needs.

Excavation Area 4 appears particularly well suited to her research – about which there will be more in a future post.

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Marco Schugk – Zagora 2013 volunteer

Trowel tales and true – Marco Schugk

Answer text by Marco Schugk
Posted by Irma Havlicek

Marco Schugk. Photo and © Marco Schugk
Marco Schugk – You can see the dust on his face where his goggles didn’t provide protection from it. Photo and © Marco Schugk

I sent a list of questions to our Zagora 2013 participants to get an idea of why they participated in Zagora 2013. Here is the reply from Marco Schugk, a 2013 Zagora volunteer:

Why did you want to work on Zagora?
Zagora is probably one of the most important and well-known settlements of the Geometric Period in Greece. While studying Classical Archaeology (in Germany) this site emerges in every important course of study concerning the Geometric era so I wanted to contribute to this research program.

I also wanted to work on the Zagora Archaeological Project because I haven’t worked on an excavation focussing on the material findings of this period before and I wanted to expand my knowledge and my experience in interacting with the associated remains of Zagora.

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Annette Dukes – Zagora 2013 volunteer

Trowel tales and true – Annette Dukes

Answer text by Annette Dukes
Posted by Irma Havlicek
Powerhouse Museum Web Producer

I sent a list of questions to our Zagora 2013 participants to get an idea of why they participated in Zagora 2013. Here is the reply from Annette Dukes, a 2013 Zagora volunteer:
Why did you want to work on Zagora?

Annette Dukes at Zagora
Annette Dukes at Zagora. © PHM; photo by Irma Havlicek

We all have “bucket lists” – the things we wish we could do. I had always wanted to be part of a dig team, and I had my first opportunity last year and am now hooked. Money, opportunity and time permitting I intend to attend as many as possible. After returning from volunteering on the excavations at Paphos, Cyprus, last year, I joined the Friends of the Nicholson Museum. I am also a member of Australian Archaeological Institute at Athens (AAIA) and Near Eastern Archaeological Foundation (NEAF) which gives me the opportunity to attend many interesting lectures and information events. It was at one of these events that I found out about the project at Zagora. I also had conversations with friends who had been to the excavation last year (2012) and so was keen to be part of the project.

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