A visit to Korthi

Last Sunday 4 November 2012, we visited Korthi, and then drove in our two vans across the fertile Korthi Valley to Andros (Chora), where we had lunch. Following are some photos to give you a glimpse of the town of Korthi.

White-washed houses and narrow streets in Korthi
White-washed houses and narrow streets in Korthi © PHM; photo by Irma Havlicek

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An intro to Andros

Map of Andros showing where we've visited in our first three weeks here
Map of Andros showing where we’ve visited in our first three weeks here
We haven’t had much time to tour the island because of our heavy work schedule so I don’t have many photos to show you. There are a few of the main town of Andros, Chora here, showing the Venetian influence on this town. In future posts, I’ll show you some more images of our travels around the island.

The map at right shows the places we have been in our three weeks here so far: Gavrio, the port at which we arrived on the island; Batsi, where we are staying; Stavropeda, where we usually park the vans and from where we walk down to Zagora; Zagora; the capital, Andros (Chora – meaning ‘centre’), Ano Aprovato (where we attended the Tsipouro Feast), Paleopolis (we visited the Paleopolis Archaeological Museum at Paleopolis, a specially arranged excursion, on our way to work last Saturday 3 November). On Sunday 4 November, most of us went on an excursion in our two vans to Korthi, where we had coffee, and then drove west across the fertile valley of Korthi to Andros (Chora) for lunch (some photos coming in future posts).

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Zagora goes digital

by Irma Havlicek, Powerhouse Museum Online Producer
with Andrew Wilson, Archaeologist and Database Specialist
representing Arts eResearch at the University of Sydney

The team heading off to use tablets for the first time
The team heading off for their first ever use of tablets to digitally record the archaeological reconnaissance results on Thursday 25 October 2012. © PHM; photo by Irma Havlicek
Until quite recently, information from the field for archaeological research was largely gathered by pen and paper. That’s how it would have been done during the first Australian excavations at Zagora in the 1960s and 70s.

Developments in technology are enabling huge advances in how we can record – and later easily filter and aggregate – information, and the Zagora team are taking advantage of the benefits of such technologies.

A new system is being developed by Arts eResearch at the University of Sydney to enable digital recording on the spot of all relevant information for each grid.

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A geometric grid for a geometric site

by Andrew Wilson, Archaeologist and Database Specialist
representing Arts eResearch at the University of Sydney
with Irma Havlicek, Powerhouse Museum Online Producer

A grid being surveyed
Ivana Vetta and Jane McMahon walking one of the 20m x 20m grids, marked by tape and string; © PHM; photo by Irma Havlicek
We are now completing the archaeological reconnaissance of the Zagora grids which was started on Thursday 25 October 2012.

This has to be done systematically so that we can gain an understanding of the entire site. The best way to do that is to walk the entire site, using grids. In this post, I hope to explain how the grid system works at Zagora.

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Zagora – video review of first week

by Irma Havlicek
Powerhouse Museum Online Producer

Hugh Thomas, videographer extraordinaire, has produced this (2 mins 26 secs, mostly time-lapse) video review of some of the work that was done in the first week of the Zagora Archaeological Project.

That work included site clearing to enable geophysical survey to be done, and work to the dig hut: creation of a doorway, placement of stones to build steps and also to construct a table inside the dig hut. There is also a dramatic moment when Hugh is hurt in pursuit of his art. And there is aerial vision Hugh shot from a helicopter over the site of Zagora in May 2012.

Zagora: panoramas before and after site clearing

by Irma Havlicek
Powerhouse Museum Online Producer

I showed some photos in an earlier post about the site clearing we did in order to enable the geophysical work to be done.

Here are some before and after panoramas, taken by Hugh Thomas, which give a better idea of the scale of site clearing that was done in the first week of the project.

Before:

Panorama of the north-eastern part of Zagora before clearing
Panorama of the north-eastern part of Zagora before clearing; © AAIA; photo by Hugh Thomas

After:

Panorama of the north-eastern part of Zagora after clearing
Panorama of the north-eastern part of Zagora after clearing; © AAIA; photo by Hugh Thomas

Of tape and string: the grid’s the thing

by Irma Havlicek
Powerhouse Museum Online Producer

Hugh marking out a grid with measuring tape
Hugh Thomas marking out a grid with measuring tape. He had to walk over thorny Holme bush to mark out this grid. © PHM; photo by Irma Havlicek
What we’ve been doing since Thursday 25 October is what’s called a surface survey. We are put into teams of two or three people, with each team tasked to work a grid, looking for anything of significance (eg sherds of pottery) on the surface of the ground. There are 217 20m x 20m grids to be surveyed.

Each team is assigned to a particular grid, and that grid has to be marked out with measuring tape or string, attached to stakes that have already been placed in the ground to mark the corners of the grids. The purpose of the tape or string, is to make clearly visible what is the boundary of the grid you are working on, so that any artefacts you find in that grid can be bagged and marked with which grid it came from. This means that as the findings of each grid are researched, clearer information about the whole site emerges.

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Archaeologists enjoy Halloween

by Irma Havlicek
Powerhouse Museum Online Producer

Puss Lydia, Witch Stephanie and Crazy Guy Hugh
Puss Lydia, Witch Stephanie and Crazy Guy Hugh © PHM; photo by Irma Havlicek
OK – so this isn’t strictly a post about archaeology – but it is a post about how we enjoy ourselves in the dig house (pensione) after a hard day’s work.

Lydia Beaumont-Cankaya was keen to celebrate Halloween in some small way, so asked us to dress up in costumes for dinner. Some of the team took up the challenge, so I thought I’d share with you a few of the snaps I took over dinner.

Thanks to Lydia for organising a fun night. She had even hand-made and decorated cardboard cones which she filled with chocolate and treats, and gave one to each of us after dinner.

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A true archaeologist’s car – every dent tells a story

by Paul Donnelly
Powerhouse Museum Curator, Design and Society
and Archaeologist

Richard Anderson (centre) and Zagora team members near his Range Rover
Beatrice McLoughlin, Richard Anderson, Rudy Alagich and Andrew Wilson by Richard’s Range Rover © PHM; photo by Paul Donnelly
Richard Anderson originally trained in architecture but similar to many others in his profession found himself drawn into the study of the past rather than the construction of the present. Richard is currently at Zagora for a specific role – to establish where the original 1960s grid is on the site so that the new excavations can continue on the same orientation and grid reference. A grid superimposed over a site ensures a frame of reference is applied to allow accurate recording of all archaeological remains to within any given square of the grid (for example at Zagora houses are named after the square in which they mainly sit such as H21, or D9).

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Paul Donnelly in a sticky situation

by Irma Havlicek
Powerhouse Museum Online Producer

Paul caught in fly-paper
Paul caught in fly-paper
Find out about Paul Donnelly getting into a sticky situation in another ‘Archaeologist Q&A’ I’ve just added.

In the Q&A with Archaeologists section of the website, archaeologists answer questions I’ve put to them – and also some questions they put to themselves – to give you an idea of what kinds of people become archaeologists. Their answers also reveal the different experiences and careers archaeologists can have.

If that’s not enough, they’re also really interesting to read, and they have great pictures!